I found myself back at Aoyama Cemetery for the 2018 cherry blossom season. While I had hoped for a sunny day, the clouds had other plans. Still, the beauty of the sakura trees has a way of making you forget everything else, and I had a wonderful time.
The previous day was spent at AnimeJapan 2018, and I was feeling the effects. Waking up at 6 a.m. felt impossible, but with a surge of effort, I managed to get out of bed by 6:40. After a quick shower, I grabbed my camera gear and headed out. As I made my way to the train, the initial tiredness began to fade, replaced by excitement for the photos I was about to capture. By the time I boarded the train, I was fully awake and eager to start shooting.
Unfortunately, the conditions at the cemetery were less than ideal. A thick layer of clouds blanketed the sky, casting a drab, grey light over the morning. It wasn’t until the last thirty minutes of my visit that the weather began to clear. However, with Chidorigafuchi next on my list, I couldn’t afford to stay any longer—the constant need for new content is a blogger’s curse.
This time, I experimented with my photography technique. I typically rely on my camera’s light meter, but for this shoot, I decided to slightly overexpose my shots. I’ve often found that my flower photos can appear a bit dark, so I was pleased with the brighter results this time. It seems I’m on the right track, and I’ll continue to experiment with this approach.
While the cherry blossoms at Aoyama Cemetery were close to their peak, I couldn’t return for another visit with so many other places on my list.
For those seeking a quiet and peaceful place to enjoy the cherry blossoms, Aoyama Cemetery is an excellent choice.
Its tranquil atmosphere makes it an urban oasis in the bustling city of Tokyo.
However, I must admit that Shinjuku Gyoen had the most spectacular cherry blossoms I saw in 2018. The weather during my visit was perfect, which truly enhanced the beauty of the flowers. Its only drawback is the large crowds it attracts.
Rohan has photographed Tokyo since 2011. He shoots it with his Canon EOS R5. The project will take more than one lifetime to complete.
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