While doing some street photography with a fellow photographer years ago, he introduced me to a Shinjuku secret. He took me to Taisoji Temple, near Shinjuku Gyoen. Upon arrival, I got a huge surprise.
Just inside the entrance was an enormous statue. Its sheer size was inspiring, and I was thrilled to find such a significant landmark so close to the bustling Shinjuku Station. I’d never seen it nor heard of it before. With winter light fading, we captured a few images and continued on our way, leaving the temple’s story for another day.
It wasn’t until a return visit that a nagging feeling about the statue crystallized into a revelation: it wasn’t a Buddha. The giveaway, I eventually realized, was the simple red bib adorning its neck. That’s a distinctive feature of Jizo statues. My initial assumption, swayed by its grand scale, had caused me to overlook this crucial detail.
So, what exactly is a Jizo? These stone figures hold a special place in Japanese Buddhism as guardians of children, travelers, and firefighters. Jizo is a Bodhisattva, a being who delays their own enlightenment to help others. The red bibs they often wear are offerings from parents seeking protection for their children, both living and deceased. The color red is believed to ward off evil and illness, adding a layer of symbolic protection.
A plaque at the temple, which I had overlooked on my first visit, revealed the statue’s true significance. This impressive figure, standing at 267 cm, is one of the famed “Edo Roku Jizo,” or the Six Great Jizo Statues of Edo (the former name for Tokyo).
The creation of these statues was initiated by a priest named Jizobo Shogen in the early 18th century. After miraculously recovering from a serious illness through prayer, he vowed to erect six large Jizo statues at the main entrances to Edo to protect travelers and guide the deceased. All six bronze statues were cast by the master metalworker Ota Masayoshi and funded by donations from over 72,000 people.
Today, five of the original six statues remain and are recognized as Tangible Cultural Properties by the Tokyo Metropolitan Government. The statue at Taisoji Temple, designated as the third, watches over the Koshu Kaido, a major historical highway. For those interested in a unique pilgrimage, visiting all the remaining statues offers a fascinating journey through different corners of Tokyo. Vicki L. Beyer details this journey and the history of the statues on her website, Jigsaw Japan.
Beyond its famous giant, Taisoji Temple holds another unique statue: the “Shiokake Jizo” or salt-covered Jizo. Tucked away in a corner, this statue is almost completely buried in a thick layer of salt. It is believed that if you are suffering from an ailment, you can take a pinch of salt from the statue and apply it to the affected area of your body. If you recover, you are to return and offer double the amount of salt you took.
The temple itself offers a peaceful retreat from the energetic streets of Shinjuku, with a history stretching back over 400 years. Visitors can also find a hall dedicated to Enma, the King of the Underworld.
Here it is on a Google map:
After visiting Taisoji, consider exploring these other iconic Shinjuku locations:
Rohan has photographed Tokyo since 2011. He shoots it with his Canon EOS R5. The project will take more than one lifetime to complete.

Zuishoji temple. Nestled amidst the modern high-rises of Tokyo’s Shirokanedai district lies Zuishoji. This 17th-century temple offers a compelling study in contrasts. While its entrance may seem modest, stepping inside reveals a world where historic Edo-period architecture harmonizes with contemporary design. It provides an opportunity to capture the interplay of