There’s a special kind of excitement that comes with unboxing a new camera. In 2017, that camera for me was the Fujifilm X-T2, paired with the highly-praised XF 16-55mm f/2.8 lens. After years with my trusty Pentax K-3, this new kit felt like a different beast altogether. To get a feel for its dials and controls, I headed out for what I thought would be a quick walk around my neighborhood.
That walk led me, as it often does, toward the Zenpukuji River. To my surprise, the cherry blossoms lining the park were still hanging on. They were past their peak, to be sure, but their fading beauty provided the perfect subject for my new gear.
As I started shooting, one thing immediately changed my world: the Electronic Viewfinder (EVF). I’d always dismissed EVFs as a gimmick, but I was so wrong. Framing a shot of blossoms hanging over the water, I could see a perfect preview of the final image before I pressed the shutter.
My old Pentax’s optical viewfinder was great, but I was always guessing at the final exposure until I got home to my computer. The X-T2’s EVF made creating the exact image I wanted intuitive. Yes, there was a little screen lag, but engaging the booster grip’s “boost mode” fixed that instantly.
And the lens? The XF 16-55mm is a beast. It’s big, it’s heavy, and it has no image stabilization, seemingly defying the “small and light” promise of mirrorless. But when I got home and saw the results, I didn’t care.
The sharpness was simply on another level. I could see the fine texture on every single petal, the subtle color shifts from pink to white, and the crisp separation between the flowers and the soft, blurred background. It was a combination of camera and lens that felt like a match made in heaven. The images weren’t just good; they were stunning.
Conclusion
That day at Zenpukuji River Park sold me completely on the Fujifilm X-T2. The lens was worth every penny (though I wisely omitted the exact cost when mentioning it to my wife).
What about you? For other photographers, was there a piece of gear that completely changed the way you shoot? And for my fellow Fuji users, what’s your take on the legendary 16-55mm lens? Let me know in the comments!
It is between Hamadayama (Keio-Inokashira line) and Minami-Asagaya (Metro Marunouchi line) stations. There are three ways to get there:
Here it is on Google Maps:
Photo gear for this shoot
Rohan has photographed Tokyo since 2011. He shoots it with his Canon EOS R5 these days. The project will take more than one lifetime to complete.
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